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Reimagine Seattle: Amber Flame

The challenges of the past two years have changed the way we live, the way we work, and the way we show up for each other. They have also given us a rare chance to collectively reimagine our future. Through the Reimagine Seattle Storytelling Project we invite community members to reflect on their current experiences in Seattle, how they have been impacted by recent events, and their hopes for the future of our city.

In this video submission for the Reimagine Seattle series, interdisciplinary artist, writer, activist, and educator, Amber Flame reflects on the challenges and hardships of the past few years, the intentionality of community, the non-committal nature of Seattle, and reimagining the future where she truly feels part of a whole.

face of Black woman with short curly black hair. she is wearing a black shirt with a patterned tie. she is smiling slyly and raising one eyebrow.
Amber Flame is an interdisciplinary artist, writer, activist and educator, whose work has garnered residencies with Hedgebrook, The Watering Hole, Vermont Studio Center, and YEFE NOF. A former church kid from the Southwest, Flame’s work has been published in diverse arenas, including Def Jam Poetry, Nailed Magazine, Winter Tangerine, The Dialogist, Split This Rock, Black Heart Magazine, Sundress Publications, CityArts Magazine, FreezeRay, Redivider Journal and more. Amber Flame’s first full-length poetry collection, Ordinary Cruelty, was published in 2017 through Write Bloody Press. In early 2018, Flame co-curated the art installation Black Imagination at Core Gallery in Seattle. She had her first solo exhibit in 2019 with a project entitled ::intrigue:: 8. Hugo House’s 2017-2019 Writer-in-Residence for Poetry, Flame’s second book of poetry, titled apocrifa, is forthcoming from Red Hen Press. Recently named Program Director of Hedgebrook, she continues to work as a writing instructor in community and for currently and formerly incarcerated women and youth while working on a third poetry collection, making music with her band Last of the RedHot Mamas, making art, and raising her awesome kid.

This piece was commissioned by the Seattle Department of Neighborhoods. The opinions expressed and information contained herein do not necessarily reflect the policies, plans, beliefs, conclusions, or ideas of the City of Seattle.